CASTAWAY

Nobody can see nor hear
the beats inside and
the silent cries in persuasion.
we had heaven when
I was your sweet loving bride.
My swollen breast and rosy cheeks
turned you crazy and called me
your pride but
that fairy’s charm,you said
sank and gone.
Oh love never dies, but it
blest me with never ending fear.
Don’t know how and why
Like a fallen angel i am
Cast off the sky.
Now thou art gone and I have nothing
but few solemn tears for my love
and
leading steps to my doom.

XK

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Author: xelam

The best contemporary poetry”, wrote TS Eliot, “can give us a feeling of excitement and a sense of fulfilment different from any sentiment aroused even by very much greater poetry of a past age. The twentieth-century poetry—its continuities and transformations—with an emphasis on how new poets have dealt with and radically changed poetic tradition. Modern poets have built upon and reacted to the profound legacy of Romanticism (both British and American)—its theories of the imagination, its conception of the poets role in art and society, its complicated struggle with the question of how mind, world and language interact, and its exploration of the status of art, especially textual art, in the world. Twentieth-century poets have grappled with how to make it new, This effort has entailed an even greater self-awareness about and thematization of the interplay between poetry and the world, and an acute self-consciousness about what Wallace Stevens calls the world of words we live in. Modem poetry (along with the fiction is marked by a constant struggle with the paradoxes of living in, with and through words. ( Quoted ) because Un INTELLECTUAL dice una cosa simple de una manera dura. Un ARTISTA dice una cosa difícil de una manera sencilla ... xelam kan

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